Sunday, September 30, 2007

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ARTISTIC TEAM SPRING-SUMMER


Spring Awakening was born from a previous project: Spring-Summer

The original idea was to work on the broader theme of childhood by creating a kind of theatrical series, visual, sound. Originally, a director and seven actors. In addition then a choreographer and director, and finally a photographer.
3 residences have already taken place, giving birth to 3 episodes: D.88
Forest, a film which traces the first phase of work at the heart of a forest.
Anniversary, a series of photographs on the theme of the birthday party.
Spring, a workshop theater, music, dance ...
3 episodes, shape and different medium which can be assessed independently even if there is a link, a continuity between stages.

Anniversary (photos of Valerie Archeno)





Saturday, September 8, 2007

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(...)

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LOVE STORY (Latest chapters)

Berthier Festival Presented 07 June 2007



A man wrote a play.
come that day another man and a woman and all three, they read all this text - they are actors - or they discover it only as we discover the text of a friend.
What tells the room that wrote the first man, is the memory, some bits of what was their life together when they were younger.
What tells the room they discover is the first version of the man they knew and love is destroyed.
fiction he has made.
The second man and woman make their comments or their own memories
Lovestory is repetition and building a story
Jean-Luc Lagarce

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WE, THE THE FALSE HERO

Jean-Luc Lagarce, Creation Theatre National de Strasbourg in November 2006.




We, the comic hero and Illusions, two shows that are so troubling answer (besides, Olivier Py, who had created the piece Lagarce, 1997) and put the theater in the heart of their connection, through a group of comedians. Without ever being narcissistic - it is thinner than cela.D first because since Molière and to the beautiful film directed by Louis Malle from Uncle Vanya by Chekhov, we know that is no better than a group of actors as human sample taken in a tangled web of relationships. But mainly because it draws a selection query in depth about what it means to be an actor, the full meaning of the term - an actor of his own life and his time - in a world which, perhaps, leaves little room for that possibility. And We, the hero is exactly like a stirring sight of Chekhov, carried by a formidable group of actors, John Arnold and Annie Mercier head. Declining from all sides around a long table and a sad festival, which takes place between theater and life, so much so that we do not know at the end, if the players, " attire, "as they say, speak for themselves or their characters.
Fabienne Darge - The World

Declaration of Love in the theater, we, the hero is not a tender piece. The pettiness and mediocrity are better than large shared feelings (...). Recently left school NER, the director William Vincent wished to gather for the show "a distribution as diverse as possible." The huge group photo in the background, gives color: not a troupe of young actors, but a family disparate individuals with strong presence (...) Strange and familiar, they are worthy first "hero" a "Year Lagarce" that will provide dozens of events in tribute to the man who should have had 50 years in 2007.

Rene Solis - Liberation

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Marivaux. Creation Theatre du Peuple, Bussang, July 2005.




William Vincent played the game of disguise and excess, in a reading room which is fully justified, even if it may offend some viewers accustomed to classical or romantic vision of Marivaux. The knight in red coat and black leather thigh boots, Lelio plumed rooster all in black, lackeys, Trivelin, Frontin and Arlequin, decked out in animal masks clown or attributes, the Countess of whipped under his red hair, six characters who find themselves and destitute, behind the scenes en route, perhaps to the truth of feelings (...).
The assembly is carried by these six actors who seize the language of Marivaux with a nice highlight. We reserve a special mention to Pauline Lorillard (...). The knight is her, and her presence and finesse of his game are that we can safely predict for him a bright future. With these six, the False Next find the acuity of his insight on the black eternal game of interest and desire.

Fabienne Darge - The World


Projecting Marivaux's plot in the crazy atmosphere of a techno party in disguise, succeeds William Vincent's tour de force not to deviate an inch About the author while riding with the most freedoms. Under lightning strobes, Marivaux's characters begin to tu our present. Saucy servants and sour, it is obscene and arrogant clowns who spend their time abusing their teachers, to drink beer and piss on the stage. As for the "fake following" one who pretends to be a man to come closer to one with whom she is supposed to marry, it seems aptly wearing the mask of a wolf and Little Red Riding Hood's cape.
remains between the evocation of a squat trash and smashed a disguised version of Alice in Wonderland, the text as a treasure, rutile all its complexities. Guillaume Vincent and transforms his charge of irreverence into a real coup. "

Patrick Deaf - Les Inrockuptibles

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NEXT WAVE

show from Virginia Woolf, presented at the Festival Place on Stage, National Theater of Britain, in November 2005.



"Our life is miserable ugly, and is not in splendor, makes sense only in the light of love." VW

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I THINK I COULD NEVER

show from The devil probably Robert Bresson. First Festival, Theatre National de Strasbourg. June 2005





William Vincent, from the first class section staging of TNS, showed that ... I believe in the First Festival in Strasbourg. By attending this work in progress, there is a feeling that William Vincent is in line with the director of La Nouvelle Vague. Impossible to separate the text of the writing stage. It is brilliant, with a highly personal aesthetic, between the cinema (this was the first training of William Vincent) and painting. Again there yardstick scenic idea that immediately arises: a screen on which are projected video images which are part words, brief comments, dates often significant political life in France, April 21, 2002 to May 29, 2005. Behind the screen, the actors appear to us as characters in a table. In this show accents pamphleteers, William Vincent speaks of him, of his generation with his doubts, his worries, his malady being. Indeed, the earliest date that appears on the screen is the date of birth: 1977.

Chantal Boiron - UBU (Review European Theatre)

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Company History

The company with the blue of midday and midnight Black has been created Marion Stoufflet (playwright) and William Vincent (director). It was created in 2003 while both were still students at the School of Theatre National de Strasbourg in the first section-staged drama. On leaving school, the company created two shows back to school: The Waves, which was an adaptation of the eponymous text of Virginia Woolf, will be resumed at the National Theater of Britain Festival Staging in October 2004, False Marivaux will be played next to the Theatre of the People in Bussang in July and August 2005 and will tour in 2005-2006 season throughout France (Thionville, Paris at the Theatre de la Cite Internationale, Bordeaux, Reims, Chateauroux, Martigues, Blois, ... Besançon).
William Vincent will stage the first Festival, Theatre National de Strasbourg a workshop about the Devil, Probably by Robert Bresson, in June 2004. Together with Marion they adapt Stoufflet We, the hero of Jean-Luc Lagarce TNS to be created in November 2006 as part of the year (s) ... Lagarce. Guillaume Vincent will stage thereafter Lovestory (last chapter) Lagarce forever. The show will be presented at the Ateliers Berthier Berthier under 07 in June 2007.
Together they have also attended readings by contemporary authors at the Chartreuse of Villeneuve-les-Avignon in July 2006 and the Theatre of East Paris for the meeting of the North Wind.
parallel with the activities of the company Stoufflet Marion works as a playwright with among others Jean-François Peyret, Ludovic Lagarde Emilie Rousset ...
William Vincent regularly leads workshops for students in high school art department, he worked in partnership with The NLC of Besancon, the National Scene Bar-le-Duc and the Company Boomrang Michel Dydime.