GUILLAUME VINCENT (Director)
Before joining the School of NER in the section Staging in 2001, he obtained a DEUST of Theatre Studies and a Bachelor of cinema. He climbs Double inconstancy
Marivaux (presented at the biennial Theatre du Gymnase in 1999.) In Marseilles, he has played under the direction of Hubert Colas.
part of his schooling at TNS, he completed internships with Stéphane Braunschweig, Romeo Castelluci, Krystian Lupa, Daniel and Olivier Py Jeannetteau.
He co-adapts with Marion Stoufflet and staged The Waves by Virginia Woolf in 2002, included in the Festival Stage Set for SBT in November 2004. During his last year of school, he directed The False next Marivaux, taken on tour from August to December 2005, including the People's Theatre in Bussang
and Théâtre de la Cité Internationale in Paris in 2005 still ... he participated in the First Festival NER I think I could ever, a show designed by the devil probably Robert Bresson.
He plays under the direction Vincent Macaigne in Requiem 2.
He directed in 2006, We the heroes Lagarce to TNS, including back to the NSC Orleans.
It features Berthier Festival 07, Love Story (Last chapter) Lagarce.
In 2008 he participated in numerous performances with the group must burn to shine.
It is in preparation of the Opera The foreign Bastien Gallet libretto with music by Frederick Verrieres. Project with the Theatre des Bouffes North, 2009. It is also an associate artist of the Comédie de Reims, direction Ludovic Lagarde.
DAVID Wampach (Choreographer)
Studied medicine at the University of Montpellier (96-97), the theater at the University of Aix-en-Provence (98) and the Conservatory of Marseilles (98), then dance. Following the training provided by the company Coline in Istres (99), the National Choreographic Center of Montpellier directed by Mathilde Monnier, training ex.er.ce (00), and finally to the party led by Anne Teresa de Keersmaeker (Brussels, 01). On the occasion of training, he meets practices Steve Paxton, Lisa Nelson, Julyen Hamilton, Vera Mantero, Mark Tompkins, Patricia Kuypers and Simone Forti. Following the formation of choreographic culture proposed by Laurence Louppe (from 2004 to 2006). Working with Anne Lopez, Thierry Bae, Mitya Fedotenko, Christian Bourigault, Mathilde Monnier, Julie Brochen, Odile Duboc, João Fiadeiro, Alain Michard, Catherine Contour, Christian Rizzo.
He built his personal approach he enrolled in the association with lambda Achlès if I include myself, kappa Itself The Pieces (2001), established in Brussels, RA D ES (2003), co-authored with Pierre Mourles duo, circumference C is (04), winner of the Solo Mio and the Biennale of Young Artists from Europe and the Mediterranean, it creates FLIP (2005).
In 2007, he presented fourteen, the Montpellier festival Dance 2007.
In 2008, during meetings choreography of Saint-Denis and Dance Festival d'Uzes, it offers AUTO, his latest creation.
AUTO
AUTO
FOURTEEN
Olivier Pasquet (his Creator)
Olivier Pasquet is an electronic music composer and producer. From 1996 to 1999, he studied composition at Cambridge, where he also teaches writing electro. Since then, he devoted himself to composition with multiple orders. It particularly interested in algorithms and interpretation using meta-compositional systems based on generalized philosophical principles such as harmony. It conducts research on writing text or spoken sound in the theater and music. Since 1999, IRCAM and elsewhere, he collaborated with composers in the electroacoustic and computer realization of their projects. He collaborated with George Aperghis Pauset Brice, Mauro Lanza, Ludovic Lagarde, William Forsythe, Rand Steiger ... It's also music or IDM Electronica.
Since 2006, he taught art and interactive design to computational ENSAD.
With François Sarhan, he formed the electronic band Jacqueline. He was one of the instigators of the alternative festival ResOFFnance and is the organizer of the workshop European Max / MSP / Jitter Andreas Breitscheid in 2006 with the FNM, Stuttgart. More information about
www.opasquet.fr/
INTEPRETATION:
EMILIA-INCERT Formentini Before joining the School of NER in 1999, she took courses from the School du Rond-Point des Champs Elysee and the Ecole de Chaillot. She worked with Michelle and Abbes Zahmani brand in honorable scoundrels.
Out of School in 2002, she joined the troupe and played in the TNS Family Schroffenstein Kleist, created by Stephane Braunschweig and under the leadership of Laurent Gutmann News Plateau S. Oriza of Hirata.
She then worked with Yann-Joël Collin Violence Gabily Didier Georges (2003), with Hedi Tillette de Clermont Tonnerre in Marcel B. (2004) and Manon Savary in L'Illusion comique of Corneille (2006).
In 2006, she appeared in We, the heroes and love stories Lagarce, directed by William Vincent.
FLORENCE JANAS She entered the National Conservatory of Dramatic Art in Paris in 2001.
Since leaving school, she played under the direction of Gilberte Tsai (The Gay Science, Villeggiatura Bailly and Valletti), Christian Benedetti (The Belgrade Trilogy by Biljana Srlbanovic and Stop the tempoI of Gianina Garbunariu.) Jean-Baptiste Sastre (The Italian Straw Hat by Labiche)
It plays several times under the direction of William Vincent in The Double Inconsistency of Marivaux, We the heroes and love stories Lagarce.
In film, she played in the city is quiet A. Guédigian, The parallel Nicolas Saada and the location ideal Brigitte Sy. On television, she played in the great Charles de Bernard Stora.
In 2007, she is young talent ADAMI in Cannes, she turns on that occasion a short film directed by Matthieu Amalric: Santa and pizza.
This season, she starred in Chekhov's Ivanov, directed by Philippe Adrien, she will star in the comedy-French for Gemstone ridiculous Molière, directed by Dan Jemmett.
PAULINE Lorillard Before joining the School of NER in 2001, she attended the theater of the professional class at the Conservatoire National region of Bordeaux.
Upon leaving school, she joined the cast of TNS and played three times under the leadership of Stéphane Braunschweig Brand in Ibsen, Chekhov's three sisters and recently in Le Tartuffe by Molière.
It plays twice under the direction of William Vincent in Waves by Virginia Woolf and the next false Marivaux.
She also played in Korea, created by Balazs Gera and in The objector Michel Vinaver directed by Claude Yersin.
can see it in the short film Raphaëlle Rio, The Sleep of Anna Cairo.
This season she will play at the Theatre National de Chaillot in a staging by Vincent Macaigne, Idiot! by Dostoyevsky.
NICOLAS MAURY He studied at the Conservatoire National de Region de Bordeaux before joining the National Conservatory of Dramatic Art in Paris in 2001.
He plays on numerous occasions under the direction of Robert Cantarella (The House of the Dead, It goes Minyana, Hyppolite Garnier, Jealousy of smeared Molière, A beautiful day Renaude.) Florence Giorgetti (I Sleep want to Feydeau, That Philip Minyana), Philippe Minyana (We can not think of any de Musset, Suite staged by the author.) He also played with Fred Fisbach, The sheets Hyptnos Rene Char, for the Festival d'Avignon 2007.
He plays two texts Lagarce with Guillaume Vincent, and We Love story, heroes.
In film, he played in Those Who Love Me Can Take the Train by Patrice Chereau, Question of Choice Thierry Binisti, Regular Lovers Philippe Garrel, Emanuelle Bercot Backstage, Paris, I love you with Olivier Assayas La question humaine by Nicolas Klotz, Let's Get Dancing! Noemie Lvovsky, in shorts and Michael Antonio Hébrard Buch. It will soon be on display The film college in Riyadh Sattouf.
JUDITH MORRISSEAU Before joining the School of NER in 2001, following the formation of ENSATT in Lyon.
In 2004, she starred in Who is not working not eating, theater review the gulag, designed and directed by Judith Depaule (Theatre de Gennevilliers), she finds the show in 2008 to Gagarin.
In 2005, she participated in a formal landscape space under surveillance by Heiner Müller performed by Aurélia Guillet under the First Festival. She plays under his direction after Kleist Penthesilea Landscape and Müller, then burned the house of Strindberg. She also plays under the direction of Claude in Duparfait Titanica Sébastien Harrisson.
She sings and plays in The Périchole Hoffenbach, directed by Julie Brochen, created in July 2007 at the Festival of Lyric Art of Aix-en-Provence.
PHILIPPE Orivel He joined 14 years at the Paris Regional Conservatory class of harpsichord, he obtained a prize in musical training in 2002. Along with his musical studies, he studied drama at the Conservatory of the seventh arrondissement of Paris with Daniel Berlioux from 1999 to 2001.
He works since 2002 with various theater companies, as an actor, composer and musician, including Sylviane Fortuny and Philippe Dorin, they married and had a lot ..., William Vincent, I think I will never, Cyril Bourgois Zmorda Chkimi Company naked eye as Francis Xavier Frantz in My Mouth and Dog Heaven, my love, my prey dying of Werner Schwab and with Nadia Vader in Motion & Motion dance creation.
He practices several musical instruments such as piano, harpsichord, accordion, violin and guitar and also singing. He performs regularly in solo and lead a contemporary music festival in the Lorraine region.
CYRIL TEXIER Before joining the School of NER in 2001, he studied at the School of interpretation of the Theatre National de Chaillot. On leaving school he played under the direction of Claude Duparfait (Titanica Sebastian Harrison), Aurélia Guillet (Kleist Penthesilea landscape and Strindberg's The Burnt House), Matthew Jocelyn (architect David Greig.)
He played in I think I could never post Bresson and Waves by Virginia Woolf, directed by William Vincent. Edited by Hubert Colas, he played in Shakespeare's Hamlet and without hunger 1 and 2 directed by the author.
He recently starred in Republic of Pierre-François Pommier, staged by the author.
This season he will play Knives in Hens by David Harrower, directed by Thibault Lebert the TNBA
CREW : Alexandre de Dardel (Scenography)
Architect training ( graduated from the Special School of Architecture). He collaborated in the research department of the theater scenery Amandiers Nanterre from 1992 to 1994, then at the Theatre du Chatelet in 1994 to 1996. Since
1995, he collaborated in the creation of all stage sets the stage director Stéphane Braunschweig.
He works regularly with Antoine Laurent Gutmann also Bourseiller, Noel Casale, Vincent Ecrepont, Cecilia Backe, Francois Wastiaux Alain Ollivier, Yves Adler
... Recently he has worked with Jean-François Sivadier Woyzeck on the opera by Alban Berg at the Opera de Lille. He also worked as production designer for films in Andalucia Alain Gomis.
MARION STOUFFLET (Dramaturgy)
After a DEA Theatre Studies, MA English and philosophy degree, she entered the Drama section of the school of TNS in September 2001.
Through school, she clerked with GB Corsetti and R. Cantarella. Under the Frictions Festival in Dijon in 2003, she was Assistant to the staging of T. Preston King Lear by Shakespeare. She also worked as stage manager on travel Dumbtype at REDCAT (Los Angeles).
On leaving school, she resumed the work of adapting the novel by V. Woolf, Waves and collaborates False Next directed by G. Vincent.
She works with JF on Peyret Variations Darwin established in2004 at Chaillot and continued this collaboration at its inception in July 2005 in Case Sophie K at the Avignon Festival.
In 2006 she began working with Ludovic Lagarde on Exhibit A sports Jelinek.
The old man died in 1973 at age 81 at the hospice. Diver in the kitchen of a hospital, he had lived 40 years in a single room in a boarding house, without heirs, he bequeathed all his property to his landlord. He lost his mother to 4 years, nicknamed "Crazy" from his childhood, he was placed in 8-year pension, then 12, caught masturbating in public, in an institution for mentally disabled: there seems to have suffered the worst abuse, and he fled to 17 years old when his father died. Very devout, considered a bit "cheesy" by his neighbors, he had only one friend, also marginal to it, and lived in seclusion in his room, his application of adopting a little girl was refused. He was also obsessed with the weather (as Kosek). 
Darger shows us scenes of shocking brutality, but where the characters are angelic little girls in idyllic settings, always the same face without expression, without individuality. His paintings are merely apocalyptic violence, abuse, strangulation, evisceration. On one of them (detail above), worthy of a Massacre of the Innocents, the blood is flowing, girls are hanged, disemboweled, stabbed, crucified (one upside down), choked by lassos; throne amidst an anatomical drawing of viscera taken from a medical encyclopedia. The main theme is of course the struggle between good and evil, Christianity and paganism, girls pure and terrible enemy, is the loss of the golden age, and efforts to find him by martyrdom, by the accession to holiness. 
